“… Abstraction came about through the ever-narrowing focus of aesthetic gaze.
The post-modern offshoots of abstract art may seem to be engaged in the same artistic project; but the appearance is, it seems to me, deceptive. Post-modern abstraction is really construction, in which abstract elements are combined ab initio, and without reference to the natural forms and perceptions which might have endowed them with meaning…. Their purpose is to glorify the sovereign role of the artist, who shifts and arranges them as would a child playing with colored blocks…The result has been a sudden narrowing of the artistic intention, and a launching of post-modern art towards bombast and doodling by turns.”
-Roger Scruton, An Intelligent Persons’ Guide to Modern Culture, Chapter Eight
Over many months now, during my morning contemplative walks in a local park, I have encountered objets d’déclin. Mother Earth needed tattoos to be in vogue.
A gaggle of local apparatchiks of post-modern persuasion decided at some point that nature’s exhilarating beauty-a body of narrative to be read over and to reflect on-should be forever ‘inked’ with the flippant constructionism of various ‘artists’.
The local approvers and inciters of inhuman aesthetics have ‘carnivalized’ a local nature preserve, a park and a paradise infused with wildflowers along a river, where, along such “springs in the valleys” (Psalm 104) “The birds of the sky nest by the waters; they sing among the branches.” No matter, though. By so doing, the self-appointed culture-mongers can connote their relevance and earn self-aggrandizement brownie points with the community.
Pictures at an Exhibition:
The last photo, an #LGBT advert, fits the theme: the ‘carnivalizing’ of nature and nature’s compliment, Scripture. More about this in the next post.